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They have a balanced and transparent characte that works good for most music styles.The term “American” speakers is wide and not a very precise term.A good example is a single coil strat or tele played with the bridge pickup through a cranked blackface Bassman (AB165).The amp has a huge bottom end and a slightly edgy Fender 6L6 push-pull (class AB) cranked tone. Another example is a bright jazzmaster with bridge and neck pickup combined for some jangly surf tone, through a big clean amp like a Pro Reverb, Super Reverb or Twin Reverb with lots of reverb.

Speakers can have different frequency response depending on materials and construction design, like cone shape, magnet weight and coil size.In this case we prefer darker sounding speakers than the typical American Jensen C12n-style.We want more bass and mids to smooth out the treble and high harmonic frequencies coming from the amp.In some cases we want more power and headroom, particularly in small single speaker amps like the Princeton Reverb and the Deluxe Reverb who were poorly equipped from the Fender factory (it is a big shame that the Jensen C12n never was installed in the blackface Deluxe Reverb).In bigger, multiple speaker amps we often like speakers with lower power handling and less efficiency because the amps are more than loud enough and we want some tone out of them by turning the volume up (it’s all about playing in the sweet spot).

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