Diane keaton and warren beatty dating

Among his favorite TV shows in the 1950s was the Texaco Star Theatre, and he began to mimic one if its regular host comedians, Milton Berle.Beatty learned to do a "superb imitation of Berle and his routine," said a friend, and he often used Berle-type humor at home. Beatty doesn't deny that need; in speaking about his earliest parts, he said "When I acted in films I used to come with suggestions about the script, the lighting, the wardrobe, and people used to say 'Waddya want, to produce the picture as well?Stone (1961), with Vivien Leigh and Lotte Lenya, directed by Jose Quintero; All Fall Down (1962), with Angela Lansbury, Karl Malden and Eva Marie Saint, directed by John Frankenheimer; Lilith (1963), with Jean Seberg and Peter Fonda, directed by Robert Rossen; Promise Her Anything (1964), with Leslie Caron, Bob Cummings and Keenan Wynn, directed by Arthur Hiller; Mickey One (1965), with Alexandra Stewart and Hurd Hatfield, directed by Arthur Penn; and Kaleidoscope (1966), with Susannah York and Clive Revill, directed by Jack Smight.In 1965, he formed a production company, Tatira, which he named it for Kathlyn (whose nickname was "Tat") and Ira.Fearing that his acting career would be interrupted by being drafted, Beatty used a well-thought-out scheme to resolve the issue of military service without ever serving on active duty.He enlisted in the California Air National Guard on February 11, 1960 under his original name Henry W. On January 1, 1961, he was given a dishonorable discharge from the Air National Guard and the United States Air Force Reserve.

At 28 [sic], the image of Warren Beatty, fun-loving playboy, is dead. He followed his initial film with Tennessee Williams' The Roman Spring of Mrs.

He was a semi-regular on The Many Loves of Dobie Gillis during its first season (1959–60).

His performance in William Inge's A Loss of Roses on Broadway garnered him a 1960 Tony Award nomination for Best Featured Actor in a Play and a 1960 Theatre World Award. He made his film debut in Elia Kazan's Splendor in the Grass (1961), opposite Natalie Wood.

In 1978, Beatty directed, produced, wrote and acted in Heaven Can Wait (1978) (sharing co-directing credit with Buck Henry).

The film was nominated for nine Academy Awards, including Best Picture, Director, Actor, and Adapted Screenplay.

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During the 1950s, the family resided in the Dominion Hills section of Arlington. One film that had an important early influence on him was The Philadelphia Story (1940), which he saw when it was re-released in the 1950s.

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