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A line would happen and the audience, along with the people at the dinner, would just kind of sit there and let it hang.
And so the rhythms of this episode are slightly different.
It’s that pressure-cooker aspect that heightens everything, plus the decorum of the dinner party, the sort of need to rise to a different sort of social construct, as opposed to just being co-workers in an office space.
They’re all gonna have to stay late that night, so everyone has to cancel their plans.
Michael Scott is always the fool, but in this moment he outsmarts Jim and Pam because he so desperately wants to hang out with them.
Jim has a talking head [where the actors speak directly to the camera], and he’s like, “I’m starting to think there was no work thing.” There’s a little bit of a grudging respect to Michael. Show a guy pushing a woman down the stairs.” I’m paraphrasing, but there’s something to that. We’re such huge fans of the British Office and we wanted to write an episode more in that tone.
Gene Stupnitsky (co-writer): There’s a quote, “How do you make someone laugh? Lee Eisenberg (co-writer): An episode like this lives a lot in the awkward pauses.